I LOVE THE WAY YOU WALK
after Eileen Pettycrew
Especially on the mountainside in the rain,
Straw hat tipped over eyebrows dark and slanting,
Your legs, long-boned and lean, stepping
Without hesitation over cracks and crumbling earth.
How you never pause at the fork in the trail, confident
Even as the atmospheric river tries to drown us.
I watch you and my heart is a purple lampranthus,
Bursting open under the sun. It doesn’t matter
If deer are running for cover, splashing our legs
With mud as they stream by, close enough to touch.
Let us tip our faces to the storm gods, let the rain
carve us back into earth so I can follow your walk
forever.
OMISSION
Just for tonight, let me rest in this space,
this place between words
and lines—
that respite from speech
where we breathe,
that quiet moment where the seed, wrapped in its husk, stays—
before reaching into the earth
to take hold.
I have spent years falling through these spaces—
watching eyes hang,
suspended in light,
waiting
for an answer—
listening to the silence of words left
unsaid—
savoring the caesura of the sun’s last light
before it leaves the world—
waiting
for its return.
Just for tonight,
let me luxuriate in absence—
let my heart grow fonder
not in response to heady discourse,
or the tight press of your tongue against my skin—
but in the lull
before the intake of your breath,
the electric pulse that rises when your hand,
reaching through space
for my body,
pauses.
ONE BODY
Yesterday the rains came
and with them, emerald shoots
breaking through rusty soil. New
once more to this world—reborn
for a season. We paused along
the muddy path to watch them stretch
into the understory, small
against the redwoods’ vast reach—
belonging to this spot
as we belong to each other,
for a time. This is what it means
to be alive: to rise above
the safety of firm ground,
small against the heavens, knowing—
no matter the shape of your life,
there’s a place for you.
Kaecey McCormick
Originally from New England, Kaecey McCormick now lives in the San Francisco Bay Area where she pretends to be a focused freelancer, though she’d rather be crafting poetry and prose. Her work appears in various literary journals, including the Baltimore Review , Poet Lore, Pedestal Magazine, The Pinch Journal, Clockhouse, Jabberwock Review, and Pine Hills Review as well as her chapbooks Sleeping with Demons (2023) and Pixelated Tears (2018). She is a recent winner of the Connecticut Poetry Prize, past Poet Laureate for the City of Cupertino, a current instructor at The Writers Studio. Kaecey has enjoyed support from the Good Hart Artist Residency and Harbor Springs Festival of the Book. In her free time, she reads, attempts to make non-dairy milks (sometimes with success), and takes copious notes while people-watching over coffee. She shares her home with a long-suffering spouse, two cats, and a growing collection of rocks.
